From The Vault: The Queen of Spades (1949)

“The Dead Shall Give Up Their Secrets!”

THE QUEEN OF SPADES 1949

The Queen of Spades is a masterpiece if ever I saw one. Associate Producer Jack Clayton was on board for this film, directed by Thorold Dickinson (Gaslight 1940) who came onto the project last minute. Adapted to the screen by Rodney Ackland and Arthur Boys from the story written by Alexander Pushkin. The story could have easily been dreamt up by Aleksei Tolstoy,  Ivan Chekhov -(The Drop of Water) Nikolai Gogol  or even Oscar Wilde.

My partner Wendy even mentioned Edgar Allan Poe as she watched along with me. It brought to my mind, his short story Never Bet The Devil Your Head. Which of course was brought to life by Frederico Fellini in the segment of Spirits of The Dead 1968 called Toby Dammit, featuring the work of actor Terence Stamp.

Terence Stamp as Toby Dammit in the segment of the same name as part of Spirits of The Dead. Directed by Frederico Fellini 1968 Based on the short story by Poe, Never Bet The Devil Your Head.
From Mario Bava’s Black Sabbath 1963 vignette The Drop of Water based on a story by Chekhov.
Boris Karloff stars in an adaptation of Tolstoy’s story in the segment about The Wurdelak.

It’s clear that Russians are very good at telling Ghost stories and notorious for telling tales about selling your soul to the Devil!

The Queen of Spades, stars Anton Walbrook, Edith Evans, Yvonne Mitchell and Ronald Howard.

The gorgeous music scored by Georges Auric   (Beauty and The Beast (1946), The Innocents (1961), and Wages of Fear 1953 just to mention a very few!) is as heart wrenching as it is heroic, drawing out the exquisite melody and chord changes to reach the soul and twist it into knots while it lingers.

What can I say about the gorgeous cinematography by Otto Heller.The odd camera angles are reminiscent of the great German Expressionist movement, something from Fritz Lang or the use of light and darkly dreamy angles like that of Carl Theodor Dreyer.

Even without any sound, the story would have emerged from the screen as a powerful cautionary tale, rife with grotesque and compelling characters.

The film is an arresting fairytale, that’s dreamy, and haunting in it’s imagery and perhaps, yes perhaps as visually stunning as I dare say Jean Cocteau’s  La Belle et la Bête 1946 or Julian Duvivier’s Flesh and Fantasy 1943 and collaborative efforts of Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer’s Dead of Night 1945.

Betty Fields and the mysterious mask salesman in Flesh and Fantasy
Michael Redgrave and his dummy in Dead of Night

There are frames so masterfully conjured in shadow, that you might even think you’re watching Film Noir or an obscure Val Lewton production. Either way, The Queen of Spades sort of defies being labelled a specific genre.

It has it’s own melancholy fantasy that draws from many elements of  the mystery/suspense crime/noir and supernatural horror gems of that golden age, when visual structure was as essential to the narrative as was the character development and dialogue.

Anton Walbrook is wonderful as Moira Shearer’s domineering impresario Boris Lermontov in Michael Powell and Emeric Pressburger’s The Red Shoes 1948

Anton Walbrook  plays the bitter and venomous Capt.Herman Suvorin an army engineer, who is so poisoned by his resentments toward the ruling aristocracy , that he wants to gain his own wealth, and punish those around him who have benefited by their birthright and title. Suvorin does not want to take life as it comes, he wants to “Grab life by the throat and force it to give him what he wants!”-Suvorin.

This he conspires to do by trying to learn the secret of winning at a card game named Faro, from the Old Countess Ranevskaya, played by Edith Evans.

The marvelous British actress Dame Edith Evans
It’s always a bad omen to draw The Queen of Spades!

After a frustrating night of watching a few of his fellow army officers play Faro, taunting Herman as if he was not of the same class, he bursts out of his room in a self absorbed rage, and wanders onto the streets and into a dusty old book store, first picking up a book about Napoleon Bonaparte whom he admires (his portrait hangs in Herman’s humble room) because Napoleon came into his power at age 26!

Herman Suvorin possess a similar intensely maniacal quality that makes him a very unapproachable,manipulative and unlikable man. Looking at him was like “looking into the eyes of Satan!”

Fatefully placed next to Napoleon’s book is another book, suddenly and with a creepy alacrity, the old bookshop owner picks up the ancient bound leather and starts relating it’s contents to Herman, as if he’d been chosen the messenger… warning Suvorin about the secrets and dangers of tampering with the universe. The old man told Herman that he’d either wind up having riches… or lose his eternal soul!

“You might wind up gaining a fortune or losing your precious soul!”

In terms of appearance and demeanor I thought of Riffraff from Rocky Horror Picture Show, and wondered if this little bookish crypt keeper was an inspiration for Richard O Brien!

Herman purchases the book for 3 rubles, and starts reading aloud to us. This mysterious book, about people making deals with the Devil, and a certain mysterious Count d. Saint Germaine who lived in an isolated palace and molded wax images of his chosen victims, thereby trapping their souls forever in his power.

Herman Suvorin slowly and thoughtfully recites to us from the book:

Containing the true stories of people who sold their souls in return for wealth, power or influence"¦ Chapter IV The Secret of The Cards
Countess R"¦(Countess Ranevskaya )
In the year seventeen hundred and forty six, (60 years ago)
The Count d. Saint Germain arrived in St. Petersburg.
He chose for his residence, a palace on the outskirts of the city.
and soon there were strange rumors, about the weird dwelling and it’s mysterious occupant. It was certainly true that in the vaults of the palace. he had a curious collection of wax figures, which, so it was whispered, contained the souls of those who had fallen under his evil influence. He would derive intense please from modeling the wax figures from his intended victims, each one of whom was chosen.
with deliberate appreciation. Thus the countess Ranevskaya, acknowledged as the most beautiful woman in Russia came to excite his attention. He learned that in spite of a jealous husband, all the men had vied for her favors.

Sleeping with a handsome stranger, gets The Countess into grave trouble!
This stranger warns the Countess of having amorous encounters, then robs her of her jealous husband’s money!

When the last of the guests had left. the countess went down the secret stairway.. To admits the young stranger she had promised to meet. She alone had the key to the hidden door. They had an amorous meeting. He was a cad and threatened her with scandal. Taking all her money. She was haunted by the fear of scandal. She needed to replace the money. In her despair she remembered the message from Saint Germain. she had no alternative but to answer the mysterious summons.  She would sell her soul"¦ anything  to save herself…

Is Saint d. Germain really The Devil?

Germain’s messenger tells the young Countess to meet him at his palace!

In Saint Germain’s vault of waxworks, just before the darkness closes in, and the Countess screams off screen…

Continue reading “From The Vault: The Queen of Spades (1949)”

Postcards From Shadowland No.1

A Cry In The Night 1956 starring Brian Donlevy,Edmund O’Brien and Natalie Wood.
Among The Living 1941 starring Albert Dekker, Susan Hayward and Francis Farmer.
Cape Fear 1962 starring Gregory Peck, Robert Mitchum and Polly Bergen-Directed by J.Lee Thompson
Crime Without Passion 1934 starring Claude Rains, Margo, and Whitney Bourne
I Walked With A Zombie 1943 starring Frances Dee, Tom Conway and James Ellison. Directed by Jacques Tourneur and scripted by Curt Siodmak
Stanley Kubrick’s Killer’s Kiss 1955 starring Frank Silvera, Irene Cane and Jamie Smith
Ann Margaret in Kitten With A Whip 1964 directed by Douglas Heyes
Mambo 1954 starring Silvana Mangano, Michael Rennie, Vittorio Gassman and Shelley Winters.
The Naked Kiss 1964 directed by Sam Fuller and starring Constance Towers, Anthony Eisley and Michael Dante.
Fritz Lang’s The Secret Beyond The Door (1947) starring Joan Bennett, Michael Redgrave and Anne Revere.
No Orchids for Miss Blandish 1958, starring Jack La Rue, Hugh McDermott, and Linden Travers
Night and The City (1950) starring Richard Widmark, Gene Tierney. Googie Withers and Hugh Marlowe. Directed by Jules Dassin

That’s it for now from the shadows-MonsterGirl

From The Vault: Flesh & Fantasy (1943)

FLESH AND FANTASY 1943

Released by Universal in 1943 Flesh and Fantasy is by brilliant director Julien Duvivier, and co-produced by Charles Boyer, and still remains an obscure forgotten horror gem.

Fatalistic, philosophical, Impressionistic, and hauntingly romantic, it dabbles in destiny and the dynamism of fate’s meddling hand in our lives. Are we all free souls, or is life predetermined for us? Part social commentary with an edge of ironic charm, utilizing elements of the supernatural to drive the narrative.

The three episodes star Robert Cummings and Betty Field, Edward G. Robinson and Thomas Mitchell,  & Charles Boyer, and Barbara Stanwyck. Robinson and Stanwyck are two of my favorite actors!

The film revolves around 3 vignettes, the first written by Eliis St. Joseph, the second adapted from Oscar Wilde, and the third written by László Vadnay.

Turning out a collection of eerie stories told by Gentlemen at their club. The stories are framed by Robert Benchley as Doakes and David Hoffman as Davis.

The first stars Betty Field as Henrietta a dowdy woman who comes upon a mysterious mask during Mardis Gras and then goes to a party festooned with regalia, turbulence, and a romantic game of cat-and-mouse with the handsome Michael (Robert Cummings) A beautifully tragic tale of loneliness and the essence of what beauty is. The use of masks creates a nightmarish landscape of human disconnection.

The shop of mysterious masks.

The second vignette is an adaptation of Oscar Wilde’s, Lord Arthur Saville’s Crime, which stars Edward G. Robinson as Marshall Tyler, a lawyer who is told by a Fortune Teller Septimus Podgers (Thomas Mitchell) that he is going to kill someone. Also at the affair is Dame May Whitty as Lady Pamela Hardwick and C. Aubrey Smith as the Dean of Norwalk.

Playing out the obsessive victim, Tyler devolves ever increasingly into a world of malefic paranoia in that way that Robinson is so good at. He spirals into madness as he is surrounded by reflections and warning shadows, and an impending dread, that creates a sense of the film being a Horror/Noir hybrid. The use of shadow does invoke a bit of Jacques Tourneur’s style as well.

In the third installment, Charles Boyer plays an acrobat in the circus named Paul Gaspar, who has a premonition of fatal consequences surrounding his high-wire act. Gaspar has a dream one night before his performance that he falls to his death, and so he decides to take a cruise, where he meets the woman from his dream, Joan Stanley played by Barbara Stanwyck, who was the one person he could still hear screaming as he plunges to his death! This episode concludes the film with a dreamy and grim set of atmospherics.

Impressionism in Nightmares-Symbolism-and the fear of falling…

the woman in dreams, is she as unattainable in real life?

THE GREAT GASPAR: that drunken gentleman of the tightrope will walk 75ft. in the air without a net!

Flesh and Fantasy predate by two years another wonderfully suspenseful ensemble of ghostly stories, Dead of Night 1945 starring Michael Redgrave in the iconic short tale of the ventriloquist and his frightening dummy sidekick!

Never trust a guy who’s made of wood and lets you stick your hand up his shirt for no money!

There are thousands of wonderful obscurities in my collection, this is just one of them!

See it for yourself-MonsterGirl

From The Vault: The Man in Half Moon Street (1945)

“I’ll share your madness because there’s grandeur in it. And I have faith – and love.”

THE MAN IN HALF MOON STREET (1945)

Nils Asther (Night Monster 1942, Bluebeard 1944) plays Dr. Julian Karell a 120-year-old scientist who has found a way to prolong life. Julian falls madly in love with Eve Brandon (Helen Walker Nightmare Alley 1947, Call Northside 777 1948) Unfortunately he needs new glands in order to survive, and not head toward decrepitude and die!

Eve Brandon: “I’ll share your madness because there’s grandeur in it. And I have faith – and love.”

“You’re the spitting image of Julian Le Strange!”

Written by the great Barré Lyndon and directed by Ralph Murphy. Hammer and Terence Fisher offered us a remake in 1959 The Man Who Could Cheat Death starring Anton Diffring, Hazel Court, and Christopher Lee! Man in Half Moon Street includes a dramatic score by the wonderful composer Miklós Rózsa!

Dr. Kurt van Bruecken: “We are not scientists anymore. We are murderers.”

‘You’ll go on until you disintegrate!”

There are oodles and oodles of fantastic films in my collection, this is just one of them!

MonsterGirl forever young at heart!

MonsterGirl & Meleva the Gypsy!

MonsterGirl is on the go! I’ll be back in a few weeks folks! Stay tuned…

I’m about to leave the beautiful coast of Maine and settle in for a while in Caldwell NJ! So MonsterGirl is on the move again, but not silent for long.I’ll be blogging and recording my music soon enough! But while this journey isn’t Wanderlust on my part, it certainly sort of brings out the true gypsy blood in me!!!!

So here’s to Maria Ouspenskaya as Meleva! I don’t have the earrings, but oy do I have the Babooshkas on hand. So hang in there, and I’ll be posting more in the next few weeks, once I get settled into my new digs.

PS: It’s an 110 year old Victorian and I swear it’s haunted!!!! It’ll make for some inspiring posts, I bet!

Maria Ouspenskaya plays Meleva the Gypsy in George Waggner’s 1941 Universal Horror Classic The Wolf Man 1941

Maria Ouspenskaya as Meleva the Gypsy!
Jo Gabriel singer/songwriter-gypsy and part time blogger as MonsterGirl

Written by the prolific Curt Siodmak and starring Lon Chaney Jr. as the ill- fated Lawrence Talbot the Wolfman, Claude Raines as Sir John Talbot Sr and Bela Lugosi as Bela the gypsy! Also starring Evelyn Ankers.

Here’s a to howling successful move to N.J friends!-Joey (MonsterGirl)

Obscure Scream Gem: Strangler of The Swamp (1946) “Oh, this swamp breeds more rumors than mosquitos.”

Old legends – strange tales – never die in the lonely swamp land. Villages and hamlets lie remote and almost forgotten. Small ferryboats glide between the shores, and the ferryman is a very important person. Day and night he is at the command of his passengers. On his little barge ride the good and the evil; the friendly and the hostile; the superstitious and the enlightened; the living and – sometimes – the dead.

Directed by Frank Wisbar from his own story, also co-written for the screen by Leo J. McCarthy. Make-up by Bud Westmore. Also co-starring Effie Laird as Martina Sanders, Nolan Leary as Pete Jeffers, Frank Conlan as Joseph Hart, Therese Lyon and Virginia Farmer.

This is a hauntingly beautiful re-make of director Frank Wisbar’s own 1936 German film Faehrmann Maria a retelling of the legend of Death and The Maiden. Which started Sybille Schmitz, the memorable victim of Carl Dreyer’s Vampyr (1931).

The enticing German film actress… Sybille Schmitz
Scene from Wisbar’s Fahrmann Maria 1936

Another scene from Fahrmann Maria 1936

It’s an effectively creepy story from the Poverty Row Film Company PRC who brought us The Devil Bat and The Flying Serpent. While this is a low budget B movie, it is quite effective to watch as the ghost of Douglas seems to dissolve in and out of the darkness.

There is an essence of the slow and dreamlike stylization that is similar to Dreyer’s work, at work here in Strangler of The Swamp. The setting is a lonely backwoods swamplands where the villagers live under a terrible curse left by a wrongly accused man hung for a crime he did not commit.

The Ghost of Ferryman Douglas and Maria Hart

Three women from the village including Martina Sanders glide down the bayou on the ferryboat with Joseph Hart, evoking a mythical quality as if used as augury like that of  The Furies designating Joseph’s ill fated path for his sins of false witness and murder.

Three women of the village including Martina Sanders glide down the bayou on the ferry like The Furies.

Continue reading “Obscure Scream Gem: Strangler of The Swamp (1946) “Oh, this swamp breeds more rumors than mosquitos.””

MonsterGirl’s Father’s Day: Quote of the day! The Red House (1947) Edgar G. Robinson as Pete Morgan

The Red House 1947

Pete Morgan: “I picked up the whip and beat him till he wasn’t handsome anymore, till he was dead, finished.”

Written for the screen and directed by Delmer Daves (Dark Passage 1947) this is a tautly wound horror/thriller featuring one of my favorites, the gruff everyman Edgar G Robinson as Peter Morgan, a very ‘unbalanced’ guy.

Pete ( Edgar G Robinson) and sister Ellen Morgan ( Dame Judith Anderson) have raised pretty Meg ( Allene Roberts) as their own child after her parents ran off and abandon her as a baby.

Meg now a young woman gets her friend Nath (Lon McCallister) to come help out doing odd jobs on the farm because her father Pete has a wooden leg and is getting on in years.

One night, Nath decides to use a shortcut home through the woods, which enrages Pete who warns him to stay clear of the red house, for fear of the unspeakable horrors associated with the dilapidated old wreck.

But like all great horror thrillers, Meg and Nath ignore his warnings and start digging around anyway and of course, the two begin falling in love, which is not only a problem for Meg’s mysterious caretaker, but for Nath’s sexy girlfriend Tibby played by a very young Julie London.

What is the dark secret of the red house, and what is deranged father Pete Morgan hiding after all these years?


Happy Father’s Day from MonsterGirl!

MonsterGirl’s Quote of the Day! The Glass Key (1942)

The Glass Key 1942

CLYDE MATTHEWS: “Isn’t all this beating likely to be fatal?

NICK VARNA: “Not unless we want it to be

Directed by Stuart Heisler (Tulsa 1949, The Star 1952), penned for the screen by Jonathan Latimer based on the novel by Dashiell Hammett.

Alan Ladd is Ed Beaumont who sets out to find the truth behind his friend’s murder, and the divine sylph Veronica Lake is Janet Henry in this classic Noir Crime Drama!

Brain Donlevy (Kiss of Death 1947, Dangerous Assignment 1952)plays Paul Madvig who decides to clean up his past while running for re-election. He refuses to take any muscle from gangster Nick Varna (Joseph Calleia Gilda 1946, Touch of Evil 1958) Instead he throws his support behind politician Ralph Henry (Moroni Olsen)

Things heat up when Ralph’s gambling son, Taylor Henry played by Richard Denning,  who loves Paul’s sister Opal Madvig, (Bonita Granville)is murdered.

Nick Varna takes advantage of the dire financial situation of The Observer to strong-arm publisher Clyde Matthews (Arthur Loft) to use his newspaper to crucify and create suspicion around Paul Madvig’s involvement in the murder. Also starring William Bendix.

The Film Score Freak Recognizes Jo Gabriel’s ‘Moments Like Drops’ and Cocteau’s Dreamy Fairytale ‘La Belle at la Bete’

Here is a mash up of my song ‘Moments Like Drops’ that appears on my album The Amber Session, blending scenes from Jean Cocteau’s masterpiece of epic love, La Belle at la Bete 1946

Here’s to Beauty and Here’s to the Beasts!!!!!! Jo Gabriel (MonsterGirl)

More Men Doing Science….!

Continue reading “More Men Doing Science….!”