The Dark Drawer: Four Obscurely Fabulous Film Noir Fare…

“Down this street raced dead-end violence!”

DOWN 3 DARK STREETS (1954)

“Down This Street Raced Dead-End Violence… Down This One Stretched Excitement Taut As Silk!”

Kenneth Tobey doesn’t last too long in 3 Dark Streets!!

Directed by Arnold Laven, this noir is part police procedural. It stars gruff he-man Broderick Crawford ( the pre-Tony Soprano alpha male, bull in the china shop cop) as FBI Agent John ‘Rip’ Ripley. Likable and mild-mannered Kenneth Tobey plays his partner agent Zack Stewart, who is gunned down from the shadows while juggling three cases that might be interrelated. John Ripley continues to hunt down the relationship between all these cases and find his partner’s murderer!

Never say You Never Saw Nothin’!

One connection involves gangster Joe Walpo as Ripley finds his hideout through Joe’s glitz and glamorous girl friend Connie Anderson played by Martha Hyer. Joe gets gunned down, and cleared of Stewart’s killing. Connie won’t be receiving anymore shiny things in the mail anymore!

The Second link involves a car theft ring. Ripley uses Vince Angelino’s (Gene Reynolds) wife to turn on his fellow thugs when Vince finds out that they have roughed up his gentle and blind wife, Julie, played by the beautiful Marisa Pavan.

2 bit hustler and thug Matty Pavelich (Claude Akins) smacks around a nice blind girl, what a crumb!

The last and most disturbing case involves Kate Martell, the victim of an extortionist who says he’ll kidnap her little girl if she doesn’t fork over some cash. He calls using a creepy, threatening voice and sends her on wild goose chases, trying to break her down so she’ll pay the $10,0000 ransom.

Kate is played by the brassy Ruth Roman. There are a lot of dubious suspects surrounding her. The menacing uncle Max, played by Jay Adler, and the smarmy, drooling suiter Dave Milson, played by Max Showalter. How will this thriller play out in 3 dark streets!?

As the tagline says, it’s as taut as silk!

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THE MUGGER 1958

Directed by William Berke, Screenplay by Henry Kane, and based on the novel The Mugger by the great pulp mystery writer Evan Hunter as Ed McBain!

Starring again another likable actor Kent Smith who plays Dr.Peter Graham a psychiatrist who works for the police department, living in a dark city anywhere U.S.A.

“We need good cops, even if you are a psychiatrist now.”

James Franciscus is a handsome young cab driver who works hard to support his expectant wife…

There’s a mysterious masher stalking women, ritualistically slicing their left cheek and stealing their purses as a trophy. Pretty gruesome for 1958 filmgoers. The mugger escapes undetected until his last victim is actually murdered! The film stars Nan Martin, a cop who goes undercover as a dime-a-dance girl, James Franciscus, and Stefan Schnabel. With bit parts by Beah Richards as a ‘maid’ (god forgive Hollywood and their ever present stereotyping) a young George Maharis as Nicholas Grecco, a possible slime ball. And the first time appearance of Renee Taylor as a cheap hussy who is physically abusive to her wormy husband.

The film uncovers a lot of unsavory characters in the dark underbelly of a city that is diseased in a way that might breed a handbag, cheek-slashing maniac! As Dr.Graham tries to draw conclusions about the sort of man who would attack these women, we meet a handful of offbeat characters along the way as the likable police psychiatrist and his woman cop girlfriend are on the track of ‘the mugger’ terrorizing the city.

Very gritty and realistic slice of psycho=sexual aggression run amok in the city and hidden secrets within a small struggling American family!

“They all had one thing in common… The terrifying night they met!”

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PRIVATE HELL 36 (1954)

“There’s a price tag on this woman… A big one!”

Written for the screen by Collier Young ( Former husband to Ida Lupino and Joan Fontaine and written by Ida Lupino and directed by Don Siegel, starring Howard Duff, who plays detective Jack Farnham, an honest cop with a beautiful wife, Francey (Dorothy Malone), who loves him. His partner Cal Bruner,(Steve Cochran) is a little more dark and brooding and rough around the edges. He’s hungry for something better than suburban living with ‘pay on time’ furniture and a small backyard with a grill and a white fence.

Both detectives stumble onto the hot cash while staking out a robbery in which $300,000 was stolen. Of course, Farnham wants to turn it into Captain Michaels, played by the meditative Dean Jagger.

But Bruner has fallen hard for nightclub singer Lili Marlowe, played by the one and only Ida Lupino. She’s great as the unattainable woman who’s been burned once before and is now wearing asbestos lipstick. Cal is just too swarthy and smitten with Lili and soon, they go up in smoke!. Lily has very high expectations for herself and loves nice, shiny things. Cal wants to give her anything she wants but refuses to live like Farnham on a cop’s salary, playing a nice little suburban couple struggling to get by.

Farnum and Bruner’s relationship grows more strained as they each reflect their own personal idealism.

Number 36 refers to the locker where the money is hidden, while Farnham roils and ruminates over his dilemma.

Does he become a rat and turn in his partner, or should he do what’s expected and go to Captain Michaels with the missing money and the truth?

“These are the Night Faces…living on the edge of evil and violence…making their own.”

TRY AND GET ME or The Sound of Fury (1950)

A man down on his luck falls in with a criminal. After a senseless murder, the two are lynched.

Directed by Cy Enfield and written for the screen by Joe Pagano, based on his novel The Condemned.


It stars Frank Lovejoy as Howard Tyler and Kathleen Ryan as Judy Tyler. Two ordinary people in this allegory about how a decent human being can be directed to do a desperate or violent act in order to survive and protect their own family. Taken over by a fanatical young con man, petty thief, and psychopath named Jerry Slocum, played by Lloyd Bridges. Slocum preys on the Tyler’s need for money, Slocum convinces Tyler to be involved in a kidnapping scheme that goes horribly wrong and ends in murder.

The narrative unfolds more deeply as a condemnation of sensationalist journalism that can incite a mob mentality which feeds off the lurid details, culminating in a destructive force, almost worse than the original crimes committed.

Richard Carlson plays Gil Stanton a newspaper man who eventually has a pang of conscience, although much too late!

The ending is quite potent, powerful and remains a stunning commentary. The imagery holds a very powerful message in the final moments of the film…

PS: it seems that both The Sound of Fury 1950 and Fury 1936 Fritz Lang’s film starring Spencer Tracy are based on the same true events -from TRIVIA IMDb:

Based upon the 1933 kidnapping and murder of Brooke Hart, son of the owner of Hart’s Department Store in San Jose, California. Two suspects were arrested and jailed, but a lynch mob broke into the jail, dragged out the suspects, and took them across the street to a city park, where they hanged them from a tree

I hope you get to see at least one of these lesser-known Noir/Thriller goodies!- Til next time!- Your EverLovin’ Joey

From The Vault: Who Killed Teddy Bear?(1965)

“Why with everybody else – why with every slob … and not with me?”

WHO KILLED TEDDY BEAR? (1965)

Sal Mineo (Rebel Without A Cause 1955 The Young Don’t Cry 1957) plays yet another troubled youth, this time he’s a busboy at a disco. His name is Lawrence Sherman, who has had a turbulent childhood manifesting into an obsessive sexually disturbed young pervert.

His object of desire is aspiring actress/disc jockey Nora Dain, at the club where he buses tables. He makes obscene phone calls, partakes in a bit of voyeurism, frequents porn shops and XXX movie theaters with the rest of the heavy breathing raincoat crowd!

A very sleazy exploitation goodie from the 60s utilizing that gorgeous high contrast black and white and Charlie Calello’s perfect soundtrack of raunchy cheese horns that make you want to flail your hips in Satan red high heel shoes, digging holes in the carpets, while you twist til dawn!

Mineo exudes angst and a bottled up sexual repression so well that his role as obsessive stalker , makes the scenes with his sweaty bare chest, creep me out til Tuesday of next week!

Normally I just adore a sweaty bare chest, don’t get me wrong… but these are ‘pervert beads of sweat’ we’re talkin’ here…! Now JUST TO BE CLEAR! I am not drawing connections between Mineo’s real life self proclaimed homosexuality and the film’s perceived character of Lawrence Sherman whose so-called ‘perversion’ and sexual proclivities lead him down a dangerous path.

Sal Mineo, teen idol, extraordinary actor playing the street kid against the established order of things, and publicly gay man in the 70s, was very brave to wear his identity out in the open.

But that’s why I love these exploitation gems from the 1960s so much. They run counter-intuitive to The Cleavers ( which I LOVE so, no disrespect there.)But it’s important to muddy up the good clean mythos of the American dream once in a while….!

Added to the plot line is the obsessive cop who has his own fixations, like listening to crime tapes with graphic confessions!

The film is directed by Joseph Cates, Written by Arnold Drake and has an interesting cast including not just Juliet Prowse, but Jan Murray as Lt. Dave Madden another obsessed male animal, the great Elaine Stritch as Marian Freeman , Nora Dain’s fur coat stroking, club owning dyke…

I love how they get these older dames like Gypsy Rose Lee in Screaming Mimi and Elaine here as Marian Freeman to play lurking coded lustful lesbos / adult club owners on the hunt for fresh meat!

Wow…I think that there’s a pattern forming here. Hhhm…I’ll have to look back at Naked Kiss and reconsider that scene where club owner (Virginia Grey) Candy is shoving that dirty money into Constance Tower’s mouth… Hhm.

Elaine Stritch predatory lesbian club owner and Sal Mineo very sexually troubled young man…

Margo Bennett as Edie Sherman Lawrence’s sister.

Lawrence’s sister in the closet. Ah the wholesome American home life breeds so many happy youngsters!

“I never thought you’d put me down, but I’m walkin’ around with no place to go!”

 

There are thousands of films like these in my collection, this is just one of them, so curl up with your own ‘teddy bear’ if it’s not psychotic and see it for yourself!-MonsterGirl!

A Trailer a day keeps the Boogeyman away! The Haunted Palace (1963) & Die Monster Die (1965)

The Haunted Palace (1963)

“A warlock’s home is his castle…Forever!”

It’s 1865 in Lovecraft’s mythical town of Arkham. Charles Dexter Ward (Vincent Price) arrives at the small village to visit the house he inherited from his ancestor who died there 100 years ago.

In 1765, the inhabitants of the Gothic New England town are suspicious of the strange goings-on up in the grand ‘palace’ that overlooks the village. They suspect its inhabitant, Joseph Curwen, of being a warlock! What is the ghastly secret behind the mysterious afflictions of the town’s people, and the curse the Curwen name seems to hold over the place…what utter horrors lye in wait for this descendent of Joseph Curwen!

Released by American International Pictures, utilizing that rich Pathécolor director Roger Corman was becoming known for using lavish color to paint the movie frames in his Gothic adaptations of Poe. While they used Edgar Allan Poe’s name in touting this film it actually springs from H.P Lovecraft’s novella  The Case of Charles Dexter Ward, with a screenplay by Charles Beaumont. The title is merely borrowed from a poem by Poe.

Starring the inimitable Vincent Price as the cursed ancestor, with Lon Chaney Jr. as caretaker Simon Orne, and Debra Paget as Charle’s wife Ann. Also appearing are Elisha Cook Jr. and Bruno VeSota.

“What was the terrifying thing in the PIT that wanted women?”

It’s Monday… Let’s show some more H.P. Lovecraftian  Love!!!!!!

DIE MONSTER DIE 1965

“Can you face the ULTIMATE in DIABOLISM!…can you face PURE TERROR!”

Boris Karloff  is Nahum Witley a wheelchair-bound scientist who has uncovered a meteorite that emits radioactive rays which turn plants into mutants in his greenhouse. Freda Jackson plays Letitia Witley, Nahum’s wife who like the monstrous plants, becomes contaminated by the deadly glowing cosmic rays!

The wooden Nick Adams, plays Stephen Reinhart the customary combative fiancé to daughter Susan Witley (Suzan Farmer). Also co-starring Terence de Marney as Merwyn and Patrick Magee as Dr. Henderson. Directed by Daniel Haller who also directed The Dunwich Horror 1970.

Written for the screen by Jerry Sohl  and based on Lovecraft’s The Colour of Outer Space

I’ll just go crawl away now friends! Yours truly-MonsterGirl!

Postcards From Shadowland No.1

A Cry In The Night 1956 starring Brian Donlevy,Edmund O’Brien and Natalie Wood.
Among The Living 1941 starring Albert Dekker, Susan Hayward and Francis Farmer.
Cape Fear 1962 starring Gregory Peck, Robert Mitchum and Polly Bergen-Directed by J.Lee Thompson
Crime Without Passion 1934 starring Claude Rains, Margo, and Whitney Bourne
I Walked With A Zombie 1943 starring Frances Dee, Tom Conway and James Ellison. Directed by Jacques Tourneur and scripted by Curt Siodmak
Stanley Kubrick’s Killer’s Kiss 1955 starring Frank Silvera, Irene Cane and Jamie Smith
Ann Margaret in Kitten With A Whip 1964 directed by Douglas Heyes
Mambo 1954 starring Silvana Mangano, Michael Rennie, Vittorio Gassman and Shelley Winters.
The Naked Kiss 1964 directed by Sam Fuller and starring Constance Towers, Anthony Eisley and Michael Dante.
Fritz Lang’s The Secret Beyond The Door (1947) starring Joan Bennett, Michael Redgrave and Anne Revere.
No Orchids for Miss Blandish 1958, starring Jack La Rue, Hugh McDermott, and Linden Travers
Night and The City (1950) starring Richard Widmark, Gene Tierney. Googie Withers and Hugh Marlowe. Directed by Jules Dassin

That’s it for now from the shadows-MonsterGirl

From The Vault: Brainstorm (1965)

“The Most Fiendish Idea Ever Conceived By The Human Brain!”

BRAINSTORM 1965

This thriller from the 60s has an incredible cast, starring Jeffrey Hunter, Anne Francis, Dana Andrews, and Viveca Lindfors. Directed by William Conrad.

A young scientist saves an attractive married woman from a suicide attempt, becomes romantically involved with her, plots to kill her husband, and then fakes insanity to escape the murder charge.

The first Five minutes of Brainstorm 1965 set the slick and sinister vibe in motion on a dark and desolate noir highway against George Duning’s snazzy score, where Jim Graham (Hunter) stumbles upon Lorrie Benson (Francis) trying to commit suicide by train! He manages to get into the car and move it moments before the train comes hurling itself right behind them. The moment is dark and frenetic and possesses so much of what makes some of the best Noir/Psychological thrillers of the 60s so enigmatic…!

Reaching in through the broken window to unlock the car, moments before the impending train! A beautifully framed shot in Film Noir style…

Swedish-born actress Lindfors (Whom I consider to be one of the most underrated actresses, and one of my favorites as well.)plays Dr. Elizabeth Larstadt whose testimony keeps Grayam out of jail and sent to a sanitarium instead. Andrews plays Cort Benson, Lorrie’s Beverly Hills millionaire husband. With Michael Pate and Strother Martin, it is always a treat to see both character actors in anything trashy or classy.

Here’s a clip from Brainstorm 1965

There are thousands of films in my little collection, this is just one of them! Say, I just had a brainstorm… see it for yourself!-MonsterGirl

Special Note from Jo Gabriel alias MonsterGirl : The Film Score Freak had been ailing…

In the past few months I have been experiencing technical difficulties due to an issue with my music mash ups and Youtube. The problem has now been corrected, so I am inviting all to revisit posts from The Film Score Freak that feature movie/music mash ups that I conjured myself to pay tribute to some timeless masterpieces as well as tout little ole me’s singer/songwriting chops….

Thanks for your patience…

So now, without any further empty popcorn boxes in the aisles and pink glops of chewing gum under your theatre seats! I welcome you back to !!!!

THE FILM SCORE FREAK!

Yours Eternally-Joey

From The Vault: Flesh & Fantasy (1943)

FLESH AND FANTASY 1943

Released by Universal in 1943 Flesh and Fantasy is by brilliant director Julien Duvivier, and co-produced by Charles Boyer, and still remains an obscure forgotten horror gem.

Fatalistic, philosophical, Impressionistic, and hauntingly romantic, it dabbles in destiny and the dynamism of fate’s meddling hand in our lives. Are we all free souls, or is life predetermined for us? Part social commentary with an edge of ironic charm, utilizing elements of the supernatural to drive the narrative.

The three episodes star Robert Cummings and Betty Field, Edward G. Robinson and Thomas Mitchell,  & Charles Boyer, and Barbara Stanwyck. Robinson and Stanwyck are two of my favorite actors!

The film revolves around 3 vignettes, the first written by Eliis St. Joseph, the second adapted from Oscar Wilde, and the third written by László Vadnay.

Turning out a collection of eerie stories told by Gentlemen at their club. The stories are framed by Robert Benchley as Doakes and David Hoffman as Davis.

The first stars Betty Field as Henrietta a dowdy woman who comes upon a mysterious mask during Mardis Gras and then goes to a party festooned with regalia, turbulence, and a romantic game of cat-and-mouse with the handsome Michael (Robert Cummings) A beautifully tragic tale of loneliness and the essence of what beauty is. The use of masks creates a nightmarish landscape of human disconnection.

The shop of mysterious masks.

The second vignette is an adaptation of Oscar Wilde’s, Lord Arthur Saville’s Crime, which stars Edward G. Robinson as Marshall Tyler, a lawyer who is told by a Fortune Teller Septimus Podgers (Thomas Mitchell) that he is going to kill someone. Also at the affair is Dame May Whitty as Lady Pamela Hardwick and C. Aubrey Smith as the Dean of Norwalk.

Playing out the obsessive victim, Tyler devolves ever increasingly into a world of malefic paranoia in that way that Robinson is so good at. He spirals into madness as he is surrounded by reflections and warning shadows, and an impending dread, that creates a sense of the film being a Horror/Noir hybrid. The use of shadow does invoke a bit of Jacques Tourneur’s style as well.

In the third installment, Charles Boyer plays an acrobat in the circus named Paul Gaspar, who has a premonition of fatal consequences surrounding his high-wire act. Gaspar has a dream one night before his performance that he falls to his death, and so he decides to take a cruise, where he meets the woman from his dream, Joan Stanley played by Barbara Stanwyck, who was the one person he could still hear screaming as he plunges to his death! This episode concludes the film with a dreamy and grim set of atmospherics.

Impressionism in Nightmares-Symbolism-and the fear of falling…

the woman in dreams, is she as unattainable in real life?

THE GREAT GASPAR: that drunken gentleman of the tightrope will walk 75ft. in the air without a net!

Flesh and Fantasy predate by two years another wonderfully suspenseful ensemble of ghostly stories, Dead of Night 1945 starring Michael Redgrave in the iconic short tale of the ventriloquist and his frightening dummy sidekick!

Never trust a guy who’s made of wood and lets you stick your hand up his shirt for no money!

There are thousands of wonderful obscurities in my collection, this is just one of them!

See it for yourself-MonsterGirl

From The Vault: The Man in Half Moon Street (1945)

“I’ll share your madness because there’s grandeur in it. And I have faith – and love.”

THE MAN IN HALF MOON STREET (1945)

Nils Asther (Night Monster 1942, Bluebeard 1944) plays Dr. Julian Karell a 120-year-old scientist who has found a way to prolong life. Julian falls madly in love with Eve Brandon (Helen Walker Nightmare Alley 1947, Call Northside 777 1948) Unfortunately he needs new glands in order to survive, and not head toward decrepitude and die!

Eve Brandon: “I’ll share your madness because there’s grandeur in it. And I have faith – and love.”

“You’re the spitting image of Julian Le Strange!”

Written by the great Barré Lyndon and directed by Ralph Murphy. Hammer and Terence Fisher offered us a remake in 1959 The Man Who Could Cheat Death starring Anton Diffring, Hazel Court, and Christopher Lee! Man in Half Moon Street includes a dramatic score by the wonderful composer Miklós Rózsa!

Dr. Kurt van Bruecken: “We are not scientists anymore. We are murderers.”

‘You’ll go on until you disintegrate!”

There are oodles and oodles of fantastic films in my collection, this is just one of them!

MonsterGirl forever young at heart!

From The Vault: Julie 1956

JULIE 1956

WHAT HAPPENED TO JULIE ON HER HONEYMOON?

Directed by Andrew L. Stone, this noir thriller stars, Doris Day who plays Julie Benton, whose unstable musician husband Lyle Benton played by Louis Jourdan confesses that he killed Julie’s first husband. Lyle is incredibly possessive and wouldn’t rather see her dead than be in the arms of another man. Julie seeks out the help of friend Cliff Henderson (Barry Sullivan) This is a woman in peril thriller, that has the police closing in on Lyle, but not before the climatic ending, where Julie boards a plane, returning to her work as a stewardess, not realizing that Lyle is also on board!

The film also co-stars veteran noir actor  Frank Lovejoy as Det. Lt. Pringle.

Julie is being stalked by Lyle!

There are thousands of films in my collection, this is just one of them!-See it for yourself-MonsterGirl